Padams

Aruna Chandaraju wonders why padams are not heard often?

From The Hindu article:

Chitravina Ravikiran holds:

“Most artistes are daunted by its demands — a super-slow tempo which calls for great breath control, a platinum-like voice which doesn’t lose intensity even when modulated to the thinnest, and a mind capable of grasping its microscopic details.”

Sakuntala Narasimhan:

“Brinda took nearly one year to teach us the famous Sahana padam because it was so difficult.”

Sripada Pinakapani:

“Vilambalaya rendition keeping tautness intact is the vital requirement in padams. And in this age when unnecessarily speedy renditions by performers are common and accepted, where pyrotechnic displays draw applause, and where many students are in a hurry to ascend concert-platforms without acquiring perfect breath-control, where is the atmosphere for padams to flourish?”

(Thanks Manu for bringing this article to my attention - Shencottah.)

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